In January of this year, Rele Gallery unveiled ‘Pink // Blue’, a striking solo exhibition by contemporary Nigerian artist Ameh Egwuh. Central to the exhibition is the exploration of gender and rigid societal norms. Defined by an intentional colour palette, Egwuh deconstructs the traditional connotations of blue and pink, deftly challenging the nuances of masculinity.

Through the continuous interplay of colour, line and form, Egwuh encourages viewers to question the structures that dictate identity in today’s world. His depictions of figures in intimate moments add a layer of vulnerability to his work. The pieces featuring two people together are particularly emotive. ‘Misery Needs Company’ portrays two figures sprawled in close contact, their bodies relaxed as if they’ve drifted to sleep. Their faces are composed of Egwuh’s expressive use of line, inspired by the scarification techniques of ancient Ife art. This stylistic choice shrouds the figures in anonymity – without defined features, they invite a subjective gaze, allowing viewers to project their own interpretations onto the piece.

The painting’s washes of blue and slight haziness evoke a sense of calm, yet this is unexpectedly juxtaposed by the title itself – ‘Misery Needs Company’ – which introduces a melancholy tone. Here, the colour blue becomes a symbol for duality, reinforcing Egwuh’s perspective on the layered nature of masculinity. By using colour as a tool for conversation, the exhibition not only questions societal constructs but reclaims them, opening up a physical and mental space for a more expansive understanding of personhood and identity.

Born in 1996, Ameh Egwuh is a visual artist who studied Fine and Applied Art at the Delta State University, Abraka, Delta. Amongst all his work, the recurring feature is detailed line work and mark making, vivid use of colour and distinct figures. Each piece is underpinned by his interest in African culture, namely Adinkra and  Nsibidi symbols.

His ‘Pink // Blue’ exhibition will remain open for the next few weeks at Rele Gallery, London.